Category Archives: Historical Fiction

Friday News-Book Review: Children of the Ghetto: A Study of a Peculiar People

childrenoftheghetto The Anglo-Jewish situation is depicted with extreme precision and accuracy in the novel, Children of the Ghetto: A Study of a Peculiar People, by Israel Zangwill. Being a second-generation Jew of Polish and Latvian heritage, he grew up the midst of the Anglo-Jewish economic and social scene in Victorian England. As both a child and an adult he lived in the Whitechapel Ghetto of London. Through life experiences, he was involved in the social situations portrayed in Children of the Ghetto, first published in 1892.

Petticoat Lane and surrounding streets in the area known as the Whitechapel Ghetto are given illumination that fills the reader’s senses. From the food stalls and carts, to the shops, clothes, and daily goings-on, Jewish life and its hardships take on new meaning through Zangwill’s exacting descriptions and vivid word-paintings. He leaves nothing unturned, and his descriptions resound with vivid clarity.

Food takes on new meaning, as the majority of the immigrant Jews live day to day in a hand to mouth situation. They have “fast days”, not associated with Jewish holidays. These are the days that they don’t have food to eat. They get free food three times a week, and try to make it through to the next handout by fasting. Life is harsh and difficult, and within the social stratum of it, the Jewish factors illuminate.

Esther Ansell is a young girl whose mother died. She is left to be a surrogate mother to her siblings, and is still a child, herself. She is confronted with all of the challenges of raising children, including feeding them and clothing them. She is an avid reader, loves books, and has goals of becoming a writer. Her father is constantly studying Torah, and when he isn’t doing that he is praying. He does try to earn an income, but never seems to entirely succeed. This reinforces the family’s strife and keeps them in a constant state of poverty.

Raphael Leon is a man torn between two worlds, the ever-changing societal politics and economics, and the traditions of old. Character after character take on the burdens of the past in their attempt to move forward. Some characters manage to unload the baggage, others are caught in the folds of tradition, and can not let go. Retaining strong traditions within a modern environment is difficult for some, less difficult for others. Within the movement of secularism, many Jews practiced their traditions behind closed doors, illuminating a sign of the times externally.

The younger generation, born inside the Ghetto, find themselves in a disparate situation. They go to school, the Jews Free School, established for children of penniless Jewish immigrants. Their primary language is English, and they have adapted to secular standards. This generation of Jews is in transition between the traditions and mores of their Ashkenazi and Sephardi parents and grandparents, and between the modern society of their time period. They are in a quandary of sorts.

The forces of the old homeland and its traditions versus the modern day society are sharp and concise, and the reader is taken back to an era in transition. It is a time when the Orthodox Jews of the “old country” find it difficult to assimilate into modern English society. Yiddish is the language they speak, and their children speak English outside the house, but speak Yiddish inside. Even at that, some of the children are reluctant to continue speaking it, even inside the house. They are Anglo-Jews, and they are the individuals who will mold future generations of English Jews.

Many of the characters portrayed are in double-bind between the past and here and now. Hannah Jacobs, for instance, has a chance at love and marriage. Due to a legality that dates back to the existence of the Jerusalem Temple, she is not able to marry the man of her choice, David Brandon. Her father, Rabbi Shemuel, is insistent on that factor. Hannah and David dismiss that theory and plan to meet, run off, elope and marry in a civil ceremony.

Sam Levine believes in “muscular Judaism,” a movement that encourages both mental and physical strength in order to foster efforts to achieve a Zionist national state. Within his beliefs lies his parental roots, that never let him forget where he came from. Jewish transition and the Jewish homeland, although his goal, is restricted at times due to his ancestry.

Within the streets live a varied blend of Jews, and some with differing traditions and life styles. Ashkenazi and Sephardi Jews and their customs and religious practices differed. Along with that, their common denominator, Judaism, did not necessarily bring them together in a harmonious way. The Orthodoxy and the Heterodoxy are at opposite ends of the spectrum. Some Jews felt superior to others, and some exhibited charitable tendencies to the less fortunate Jews in order to gain status within the Jewish community and within English society.

Zangwill’s historical novel is an intense read, yet one that exhibits humor within the pages. Jewish humor is like no other, and through euphemisms filled with humor, and through humorous moments during gatherings, the Jews often get through their days, days of a life of hardship. Zangwill is forthright in his descriptions, describing every minute particle of Jewish life. His portrayal of the Ghetto streets, Ghetto homes, Ghetto life, Ghetto amusements, Ghetto Jews, and Jewish traditions is masterful. His own upbringing gave him the foundation to write the novel, and he filled the pages with brilliant scenarios, taken straight from his own background.

Children of the Ghetto: A Study of a Peculiar People is an incredible read. I felt the characters were realized, and found them to be credible. The novel is filled with societal, economic and political mutation. The comparison of “then and now” is astounding. The reader is taken to the heights of a changing Jewish England, a changing London, and a society fluctuating in constant transformation and metamorphosis. I gained so much from this historical novel, from the social journeys and searches, to the scenarios of the time period, it was as if I was physically there. I was infused with Victorian London in every aspect, due to Israel Zangwill’s mastery with his stunning prose.

June 14, 2013 – 6 Tamuz, 5773

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Lorri M. Book Review: Daniel Deronda

daniel deronda Daniel Deronda, by George Eliot is a novel that takes place during the Victorian time period.

The era is important due to the social mores and standards of the time period. I kept that in mind while reading the novel. The two main characters blend within their lifestyles, ever aware of their standings within the societal realm. Daniel Deronda, has been a ward, since early childhood, of the wealthy Sir Hugo Mallinger. Daniel, along with others in Mallinger’s social network, believes that he is Mallinger’s illegitimate son. Daniel is a sensitive man, and often ponders on his birth, and whether his true heritage lends him to actually being a true English gentleman. During his travels and his wanderings he finds himself in the company of Jews. Within his involvement with the Jewish community, he feels a strong bond, feels comfortable within their realm, and feels a sense of commonality.

Gwendolen Harleth is the other main character, and she is a self-absorbed individual. She thrives on manipulating others to suit her gain. She is proud of being able to control men with her feminine charms. A blink of her eyes causes men to be enamored of her. This is how she has maintained her standing within her social life. All that comes to an end all too soon, for her, as she is faced with the fact that her family is going bankrupt.

This causes her to take a stance in order to support herself and family. She eventually gives in and marries a man named Henleigh Grandcourt. She feels that she managed to control him to her beckoning, but little does she know that the reverse situation is, in actuality, the truth. He has manipulated her. She becomes aware of this, and in the end, finds herself feeling extreme guilt over circumstances surrounding her husband. She befriends Daniel, with full display of gaining his attention, in her manipulative manner. He thinks of her constantly, yet, his heart is with Mirah. He tries to ease out of contact with Gwendolen in a sensitive manner.

Daniel Deronda is a brilliant novel, and the characters are all depicted vividly, with all of their flaws and attributes. Even the more minor characters are not so minor, truth be told. For instance, Mirah Lapidoth, a young woman on the brink of suicide is saved by Daniel just as she is about to jump into the Thames River. From there begins a relationship based on mutual respect and admiration. Mirah is Jewish, and therein lies Daniel’s initiation and into the Jewish community, its strong traditions, and also its secular offshoots.

Mirah has run away from her father, and has ended up in London searching for her long lost mother and brother. Daniel’s sympathies has him striving to help her find them, and help her begin a new life. Throughout all of this, he finds himself falling for her, romantically.

Daniel is consumed by Judaism and its ideals, and feels completely comfortable in Jewish surroundings. He can not stay away from the Jewish section, and has cemented himself within the Jewish Quarter with his contacts. His comfort level is fostered by a man named Mordechai, a man of great vision. He practices Kabbalah, and his dreams take him to places others have not traveled. He instills in Daniel the fact that Jews need to have their own homeland, their “Promised Land”. He tries to encourage Daniel to take over his (Mordechai’s) efforts once he has died. He is a sickly man, a man with little time left in life. Daniel is influenced by him.

I enjoyed watching Daniel’s journey and growth, spiritually and emotionally. What he desires most in the beginning of his journey (his proper gentlemanly status) is proven to be what matters less, as his journey takes on new dimensions. He comes into his own, and his identity is cemented with a strong foundation.

The Jewish factors are quite prevalent within the pages of Daniel’s story. His curiosity regarding Judaism is never lost on the reader, and is enhanced through Eliot’s masterful writing and rendering of Judaism. His (Daniel’s) ever need for knowledge regarding Jewish life and traditions is evident, and written with conciseness and accuracy.

Eliot certainly did her research, and considering the fact that Daniel Deronda was published in 1876, her research entailed a lot of physical work in gaining access to documents and records from libraries to public records, to consultations and so much more. The internet was not even a gleam in the eye of the writer of that era. Considering those factors, Daniel Deronda is a masterful historical novel, a novel that speaks of Judaism in every sense of it, from religious affiliations, to life styles, to food and culture, and so much more. The biblical symbolism is apparent, in my opinion. For instance, I could see an analogy between Daniel and Moses, as far as familial bonds within a family that is not blood-related.

The majority of the novel seems to be mainly about Gwendolen, and about the upper crust of England. The reader is privy to her mind. Some readers could be put off by the title, but that should not deter them from reading the book. Gwendolen’s arrogance and self-absorption sets the stage for a more serious tone to come. The Jewish society is a separate one, although a social setting of its own, within the scheme of the whole of society and location. It is a totally different concept than the upper class of England. The two social aspects reinforce to the reader the disparity and separation of life style, and the superficial versus the genuine is illuminated. That, to me, was the beauty of the novel.

Once Daniel’s character takes root, it is clear that the story line of Gwendolen, has been written to lead up to the main point of the novel, the Jewish question, the Jewish factor, and the concept of Zionism. Yes, that is correct, Zionism.

Imagine, Eliot, a woman of her time period, considering the varied Jewish theories, including the concept of Zionism, and not only that, writing it into the novel, Daniel Deronda. Imagine her debating, through her writing the Jewish question of identity and citizenship. She was a woman whose ideas and theories were spoken of within the pages of Daniel Deronda with precision and accuracy. She was a woman whose standards and ideals regarding the Jewish community were ahead of her time, so to speak, and it reflects in her writing.

I was extremely absorbed within the almost 800 pages of Daniel Deronda. The length of the book had nothing to do with my desire to continue to read it through to the end. I found it fascinating, enthralling and compelling on so many levels. Eliot’s brilliance and perseverance in penning a novel filled with history, social opposites, ideals and mores, and with a few characters that matter to the reader, is astounding. Her respect for Judaism and its ideals and traditions is made quite clear. Her passion for truth and understanding is evident within the pages, especially within the last third of the novel.

I applaud George Eliot for her strength and ability to portray individuals, not only at their worst, but at their best, and portray them with religious sensitivity. Daniel Deronda, is an extremely ambitious novel, a brave one considering the era it was written, filled with historical brilliance through excellent writing. It is a moral story, filled with symbolism. It was controversial during its time period, and has been since then. There are several coincidences, and for me they were relevant, but some might see it differently. If the reader considers the era in which the novel was written, they can better begin to understand the societal context in relation to the time period.

I will be reading it again, this summer, because I know that there are areas within the story that I will want to gain more from through the rereading. Once is not enough, at least for this reader. I enjoyed it that much.

I highly recommend George Eliot’s Daniel Deronda.

June 11, 2013 – 3 Tamuz, 5773

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Lorri M. Review: Rashi’s Daughters, Book III: Rachel

rashidaughters Rashi’s Daughters, Book III: Rachel: A Novel of Love and the Talmud in Medieval France, by Maggie Anton, is a lovely novel, filled with beautiful imagery, and imagery that is often brutal. The novel is filled with intrigue and historical data from the Medieval period, but also contains much information about the Jewish Talmudic scholar Salomon ben Isaac, otherwise known as Rashi.

From the moment I began the first page, I was enthralled, and continued reading until I was finished. It was difficult to put down, on the few occasions that I had to. Within the pages emerges a family tapestry of Rachel and her place within the familial unit. She was the youngest of three daughters…and according to much scholarly information, including the content in Rashi’s Daughters, Book III, she was not only the youngest, but Rashi’s favorite daughter. She had a way of winning his heart, and the heart of her beloved, Eliezer.

She and Eliezer marry, and settle in Troyes, France, near her father. Much to her dismay, Eliezer is constantly away for months on end with business dealings and ventures. This upsets her, and much happens during the course of his absences, such as giving birth and losing the baby, for one thing. It seems whenever he is away, something dreadful occurs, whether it be to her or her family, or to Eliezer. Rachel is a woman at odds with her husband’s departures, and although she is strong, it wears on her.

One of Rachel’s greatest traits is her strength, strength under adverse conditions, and strength under extreme pressure. Her courage and powerful mindset during the time when the First Crusade of the Middle Ages basically annihilated all the Jews in Germany, is unsurpassed, and vividly portrayed. She is forthright, passionate, and a woman of clarity and responsibility. Like her sisters before her (Joheved and Miriam), she studied and taught Talmud, during a time period when females who studied were frowned upon. She is a businesswoman, constantly seeking new ways of earning money in order for her husband to fulfill his business endeavors close by, and not have him traveling far from home.

She was a learned scholar in Torah, like her father, Rashi. She also is a passionate learner regarding wool and all that is entailed in its production. Anton fills the pages regarding Rachel’s interactions with those who can instruct her. She is an eager and avid learner (a trait that Rashi instilled in her)and she is constantly trying to find those who can teach her, and work for her. The book is filled with amazing word paintings. The images are incredible, and it is as if we are there witnessing the event/s. I was fascinated by the entire procedure, from mating of the sheep so the wool will be the finest, to the shearing of the sheep, to the finish of the final product…everything is detailed down to the minutest job and endeavor.

During the First Crusade, when the Jewish population was massacred and destroyed, Rashi and his family never thought it would come to the point that the Crusades would reach them in Troyes. But, alas, that wasn’t the case, and Rachel, along with other family members, constantly fought to keep Rashi’s Tamudic Troyes yeshiva safe. Her heroic actions fill the pages, and her willingness to do what is ethical and moral is never questioned. She is there every step of the way. Anton delivers the punches and the forcefulness of the time period vividly, and the book is historically compelling, and a masterpiece.

Rashi’s Daughters, Book III: Rachel, is an amazing accomplishment. Anton is overwhelming in her competence to write historical content, and in her ability to keep the reader’s interest. There are so many awe-inspiring moments, moments that shock the reader. The book flows, from one scene to the next with superb illuminations and brilliant descriptions. She is a master at portraying, not only the Medieval/Middle Ages time period, but in depicting daily life under the harsh conditions of the 11th Century. It was a struggle no matter how you perceive it, but add the Crusades to the structure, and life and what those around Rachel considered to be “normal”, quickly debilitates and diminishes.

Like father, like daughter, Rachel learned from a master, and she was no less a master, herself. During a time when women were kept on the sideline, she made sure she was in the forefront of current events. She watched them unfold before her eyes, and Rashi, her sisters and the other family members, were concerned for humanity, for the injustice that surrounded their environment. The pages flow with that very ideal.

Rashi’s Daughters, Book II: Rachel: A Novel of Love and the Talmud in Medieval France is the third, and the last sequel in a trilogy by Maggie Anton. It is a beautiful testimony to Rashi and his teachings, his care for all individuals. But, more than that, it a magnificent testament to Rachel and her endurance, fortitude, caring, and concern for humankind, during a crucial and horrific period in history. I highly recommend this well-written historical novel to everyone. It is writing at its excellence, and a brilliant novel, in my opinion. Bravo!

June 6, 2013 – 28 Sivan, 5773

All rights reserved © Copyright 2007 – 2013 – All Rights Reserved – No permission is given or allowed to reuse my photography, book reviews, writings, or my poetry in any form/format without my express written consent/permission.

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Lorri M. Book Review: The Jump Artist

thejumpartist The Jump Artist, by Austin Ratner, was a novel that was a study in a relationship between a father and son, and the psychological impacts of that relationship and how it directed the emotional course of the son.

Max, the father was a powerful force in his son, Philipp Halsman’s life, and often energetic, bordering on overpowering, in his quests and activities. He saw himself as able to perform any task, and no matter how strenuous, he never failed to exhibit his dominance and strength. And, exhibit he did, to a fault, proceeding to conquer even when his physical impairment should have quelled his goal.

Philipp, a 22-year old Latvian Jew, on the other hand, was diminished in his father’s presence. He had no ambition to compete on his father’s level, and no motivation to drive him forward. Throughout the pages, he evokes a sense of detachment from his father, and a bond that is less than strong or close.

One day while out hiking in Austria, Max fell off a cliff and died. Philipp looked away for one quick instance, and when he looked back, his father was gone. From there the story line becomes more morose. Philipp is accused of murdering his father and taken to jail. He is found guilty of murder, and the reader surmises (at least this reader did), that he did not kill his father, from the way the story line is written.

The prison scenes are extremely layered with graphic imagery. Nothing is left to the imagination. The inhumane treatment is apparent, and Philipp’s depressive state is fostered within the disgusting prison conditions.

While in jail Philipp becomes a tortured soul, unable to fathom why nobody believes him. He is unable to cope with his detention under the circumstances surrounding the fact that nobody believes him, and everyone is against him. His only saving soul is his lawyer, who defends him to the best of his ability, under the extreme and the microscopic efforts of the prosecution.

Within the pages the reader is given vivid portrayals of a man depressed, a man racked with guilt, not the guilt of a murderer, but the guilt of burdens he has bared, and the guilt of a man who is in a constant state of self-hate. His only allies are his attorney, his mother, Freud and Einstein. They rally behind him, and Freud and Einstein vouch for him and use their status to help him gain a pardon.

Once out of prison, he realizes he must move to another country in order to start life anew. Also, the fact that war is imminent plays a large factor in his decision to relocate to France, where he is welcomed, where he feels at home, and where he believes he will be harbored. Within his new environment his efforts at portrait photography are enhanced, and he becomes known for his work. Living in France does not last long, and Philipp eventually moves to America.

In America his photography flourishes, it becomes his life, his reason for living. He photographs famous celebrities, including Marilyn Monroe. His signature becomes the fact that he photographs his subjects as they jump, therefore, he is known as a “Jump Artist”. His life takes on new meaning, yet his detachment to humanity is still obvious.

Ratner
is brilliant in his writing, and in his portrayal of the human condition, both in prison and in society, as antisemitism rears its ugliness. If this were today, I doubt that Philipp would have been convicted, even through all the discrimination inflicted upon him. There was no conclusive evidence, and the few witnesses that were present used drama tactics to infuse the court’s decision. Antisemitism seemed to be a decisive force behind the verdict.

For those looking for an intense read, The Jump Artist is a book for you. It is not a quick read, not a light read, but a dark and compelling read. I applaud Austin Ratner for his brilliant writing.

May 28, 2013 – 19 Sivan, 5773

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Lorri M. Book Review: The Golem and the Jinni

thegolemandthejinni I have been busy reading. I don’t normally read a book in this genre, but from the first page I was wrapped within the story. The 496-page book The Golem and the Jinni: A Novel, by Helene Wecker, is quite unique and extraordinary, and for a first novel, I thought it was extremely well-written. I would rate the novel 3.5 stars, with five being the highest, mainly due to the historical background.

It is a story, as the title states, about a golem and a jinni. The novel is a combination of historical fiction, fantasy, superstition, and so much more. The golem is a super-strong, clay creature in female form that was created for a man who is a withdrawn person, and can not seem to find a wife, a woman who wants to be married to him. He decides to have her created to specific specifications. He takes the golem with him, when he departs for New York City from Europe. Her “master” dies on the ship, and she disembarks in New York City. She meets a Rabbi, who takes her in, knowing she is of the “earth”. She begins her “life” with Jewish roots.

The Jinni has managed to escape out of the lamp he has been held in for over one thousand years, due to a tinsmith breaking inadvertently creating an opening. He is a jinni that has been imprisoned within the walls of the lamp, and comes out in human form in New York City. His origins are Arabian Syria, and through fire as his force, he must stay away from water, especially rivers and rain. The two of them eventually meet, and their unusual friendship begins.

Their relationship develops, each one a stranger and immigrant in a new land. Each one not actually human, yet each one takes on human qualities. The story envelops Arabs, Muslims and Jews within the pages, not in a conflicting manner, but in acceptance of each other and their cultures. That, in itself, is worth the read. The communities of Little Syria and the Jewish sector, blend together, and the reader is given scenes of life, not only in the two communities within New York City, but of 1898 New York City just before the turn of the century. The writing of the scenarios by Wecker is fantastic! Wecker is masterful in her descriptions of New York City at the end of the 19th century. Her ability to illuminate the streets filled with carts, horses, trolleys, architecture, people from all over the world, shops, and daily life is impeccable. She captures the very essence of olde New York City. The reader can visualize her portraits, inhale the aromas, hear the noises, and feel the essence of city life on a daily basis. Her minute details breathe life into each sentence, each page.

The fact that the Golem (Chava), and the Jinni (Ahmad) are basically immigrants learning to assimilate and cope with every day living in realms they don’t understand is not a new concept, in reality. But, within the fact that they are not human, not only do they have to try to blend in within their environment, but also have to try to appear to be human, with human mannerisms, actions, and qualities. Chava is bright and clever, always aware and cognizant. Jinni is mocking and arrogant, yet still trapped in human form. Chava is constantly watching and learning, trying to adapt. She is sensitive, and trusting, trying to find independence. Within that sphere, she must always remind herself not to show her physical strength. The Jinni can take on human form, and within that abilty, he must be cautious of his warmth, his sexual desires, his inability to feel emotions or understand others. He is self-absorbed.

There are other characters that play into the story line. From the Rabbi to the bakery owners, the tinsmith who lets Ahmad work in his shop to the ice cream man, people come and go within the pages, but all are integral to the story line. Cultural barriers are opened, and acceptance is gained by one community for the other. There are back stories, as the novel jumps back and forward in time, but not in a manner that the reader can’t keep up with. The back stories are as important as the current time period.

The supernatural, magical creatures, superstitions, Kabbalah all combine in one incredible novel. Some of it lends the reader to disassociate their non-belief, but that is the beauty of the story that Weckler has written.

The human condition and efforts to survive in an unknown land is brilliantly brought to the forefront with sensitivity and clarity. Many questions were brought to my mind: Is it worth the effort to try to overcome the challenges of cultural mores a nd realities? What is freedom? What is enslavement? Are we really slaves to our environment, or a slave to a former world with old and traditional ideals? Are we product of old and new? What is assimilation, and does it require mimicking those around us, or letting others manipulate us into what they want us to be? These and so many more questions were food for thought.

Within the pages of this fantasy and adventure story we see life through the eyes of those who are trying to find themselves within a strange, and sometimes hostile environment. Life is depicted in all of its beauty and ugliness, with the positives and the negatives. New York City is illuminated through vivid word-imagery, people and their personalities are excellently depicted. Cultural mores are drawn together, showing the similarities within both the Syrian community and the Jewish community. Each culture wants the same for their own kind. The human situation and all it encompasses are woven within the tapestry of the pages within The Golem and the Jinni.

Helene Wecker is masterful, in my opinion, in her ability to portray the characters within the varied settings and cultural aspects. I especially enjoyed the historical aspects of The Golem and the Jinni: A Novel, within the realm of an adult fairy tale!

May 20, 2013 11 Sivan, 5773

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Lorri M. Review – Provenance

provenance Provenance, by Ronald Florence, is an interesting look into two books that affect the lives of men and women through the centuries. Fiction is infused with history within the pages of Provenance, which contains the story of two factual books.

From the Aleppo Codex, or Aleppo Crown (medieval Hebrew Bible) to a woman’s book of prayer, the characters portrayed within the pages exhibit realized individuals, each with their own story to tell, and each with their own religious concept, within the realm of their environment.

Provenance reads like a story of intrigue, a detective story and a story of greed and goodness. The individuals involved in the holding of the Crown of Aleppo transfer it thousands of miles, from Egypt to Provence, Aleppo to Israel to Brooklyn, in a tapestry of life. Florence depicts life, customs, daily dealings, and history in depth.

Background details of life are portrayed with lovely prose and with clarity, within the centuries. The novel contains historical data and testaments that contribute to a mysterious concept of lives lived, and lives struggling to keep hold on the Crown.

The pages are infused with Jewish history, rituals and with a love story, as well. At times the prose is mystical and surreal sounding. That does not detract from the story line.

I felt the fact that the women’s book of prayer being interwoven within the pages diminished the strength of the story line of the Crown of Aleppo. I would much rather have it been a story written strictly for the Crown of Aleppo, alone. I think it could have stood on its own.

I did enjoy reading Provenance, though, and thought it was an intriguing story.

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