Visible City, by Tova Mirvis, is a predictable story in many aspects, but I still am glad that I read it. I found the almost “voyeur” aspect to be interesting, and the thoughts that are dreamed up while one person stares out of their window, with their own set of passions, desires and loyalties.
Nina is that person, and stare she does, at every given opportunity. If it is during the night, she turns off the lights so as not to attract attention. What she sees happening in an apartment across the way, enhances her imagination, and her perception of what the individuals are like. As the reader reads on, they realize that not everything is as it appears to be. In fact, the couple who live in the apartment are not so different from Nina and her family, in the sense that their married life seems to be complacent. Nina desires more in life, yet doesn’t have the ambition to seek it.
The novel gives a wonderful overview of New York City, its brilliant architecture, some modern, some old and abandoned. We are given snippets of the exteriors and interiors of the abandoned buildings, as some of the characters skulk through them out of a passionate desire to learn about them. We are also taken into the world of stained-glass art and all of its illuminations. Through this examination, we are seen how the passions, desires and loyalties flare up from the deep-set goals that some of the characters hold.
Six individuals meet in various places where they normally go to spend some time away from their homes. Some of them end up living on the edge, merging their connections into areas better left undone.
Passionate moments are strong within the pages, and by that I mean passionate in every sense, including one’s drives, dreams and life accomplishments. What one views as important and a driving force is not necessarily so for another person. In relationships each person should accept the other for their own interests and goals, whether the interests and goals are theirs, or not. They should offer encouragement, and not discouragement.
The urban aspect is strongly illuminated. Mirvis’ word-images are depicted quite vividly. This reader could envision everything she painted with her prose. All of my senses were filled as my own imagination took hold.
I enjoyed how each character was somewhat flawed, as we all are, in reality. I enjoyed the city tour through their eyes, and enjoyed the human perspectives, and how we see people. We are not the sum of what others see in us, or think about us. In fact, most of us are usually much different than how a stranger might view us. This was quite true in Visible City. What Nina saw, is not the actual person, but a person who she encapsulated from a distance, from a view out of a window.
The emotional aspect was a major underlying issue, as most of the characters found it difficult to relate to their family members on a deep level. They also portrayed superficiality when in the presence of others, outside of their familial and friendship realm. Even within those realms, feelings were not always touched upon.
I did not like all the characters, but that is okay. In reality, do we all like everyone we encounter? I did like how life, seen through various city windows, was depicted, and how the characters were eventually connected. Mirvis was masterful in her depictions and her prose. I felt as if I was given a personal tour of various aspects of New York City and its urban character, from architectural exteriors to individual’s projections of themselves. It almost felt as if I were looking out of a window into the lives of others. Maybe that was one of Tova Mirvis’ intentions.